May 3, 2023
windows might
© the author
© the author
we are walled in at the end of someone else’s corridor
and you talk about the death of a man you loved
while our room suffers no interruptions of itself
but this man has been on your mind
like you say his soles have been pressing
on the surface of thought
he is not my father
and you say the problem with that kind of love –
the one between you and this other man –
is that it treads all over the senses until
seeing doesn’t really feel like seeing anymore
we can’t know from where we are within these walls
if anyone might still refer to now as night or daytime
and the mono-ness of the room hushes us
which leads me to thinking about
when i’ll next be savouring the weight of someone else’s body
and what it will be like when you’re gone
like is it possible that my life without you will ever replace my life with you
can you imagine absolute nothingness i ask
no no you say but perhaps nothingness imagines us
maybe death is a nothingness that conjures all our disappearances
i have this persistent feeling that my sight is darkening
that i am the night
that it is not the result of orbits
but a well filling up from the bottom of my stomach
the fluid rising
spilling out of my open mouth and into the world
around me
this room has no sense of pity for us i say
it doesn’t you agree and our eyes can’t offer any alternatives
as we only see the limits of what we’ve been given
something every prison cell every gaoler relies on
so we won’t with our eyes be able to bring down the walls’ regime
but windows might
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by Cassandra Moss
Cassandra Moss was born in Manchester, England. She attended King’s College, London and read English with Film. After completing an MPhil in Linguistics at Trinity College Dublin, she now lives and writes by the sea. Her work has appeared in numerous places, including New York Quarterly, Posit, Interpret Magazine, Beyond Words Literary Magazine, and Sunspot Lit.