December 13, 2022
My Elders at Slow Waltz
Into the room, the wide open door
was west-facing through
window glare
like sun colored cotton—
it sent me.
I left to go find a plate
a brush an easel and linseed oil
intent to spread it out in
picture daubs, I could paint
all this.
It had faded by the time I
could gather back, the glow had
dulled like ragged gray clouds and
me having missed the very point
of seeing.
Down near the pond
a stone rolled away just then
while hinting dawn the sunset
tensed, flexed, formed into faces
where all shadows begin.
Fronds and evenings recalled
projected like movies on woods
where the fields end, films
black and white and fifty years ago
telling me the world
will never be new again.
It could’ve been a landscape
speaking under high ceilings
sometimes framed in blue-like sky
and witness to what went on
without disclosing.
It could’ve been a pixel
one of millions that portray
the day, round in our hands
that gave me the clue
only just.
But tonight my elders at slow waltz
circle these rooms like rings
of Saturn. They testify the wheel
of us. Too far from where we can
ever see. Too close to
ever know.
​
___
© the author
by L. Ward Abel
L. Ward Abel’s work has appeared in hundreds of journals (Rattle, Versal, The Reader, Worcester Review, Riverbed Review, Beir Bua, others), including a recent nomination for a Pushcart Prize and Best of the Net, and he is the author of three full collections and ten chapbooks of poetry, including his latest collection, The Width of Here (Silver Bow, 2021). He is a reformed lawyer, he writes and plays music, and he teaches literature. Abel resides in rural Georgia.